| # | Song Title | Songwriter | |---|------------|------------| | 1 | PROLOG (OM AWIGHNAM ASTU NAMO SIDAM) | I Gusti Kompiang Raka | | 2 | LASKAR | Donny Fattah | | 3 | MENANTI KEJUJURAN | Ian Antono & Fajar Budiman | | 4 | DUNIAKU | Ian Antono & Ali Akbar | | 5 | KAKI TANGAN SETAN | Ian Antono & Ali Akbar | | 6 | LAGU TENTANG CINTA | Ian Antono | | 7 | JAWA BALI | Yaya Moektio & Ali Akbar | | 8 | MULUT MULUT | Donny Fattah & Ali Akbar | | 9 | ALAM DAN PENGUASA | Ian Antono & Ali Akbar | | 10 | POLUSI | Yaya Moektio & Theodore KS | | 11 | SETAN JALANAN | Ian Antono & Ali Akbar | | 12 | EPILOG (OM AWIGHNAM ASTU NAMO SIDAM) | I Gusti Kompiang Raka |
A melodic yet heavy track, Duniaku highlights the band's ability to balance commercial appeal with hard rock structure. It features strong keyboard work by Abadi Soesman, complementing the soaring guitar solos. Kaki Tangan Setan (Devil's Accomplice)
Released on , by DPM - Bens Records, Laskar is the critically acclaimed second studio album** by the legendary Indonesian heavy rock supergroup Gong 2000 . Emerging as a grand side project of God Bless members—guitarist Ian Antono, vocalist Achmad Albar, and bassist Donny Fattah—the album solidified the band's identity outside their primary group. It achieved this by blending hard-hitting rock anthems with traditional Indonesian ethnic instruments, complex progressive arrangements, and socially conscious lyricism. The Evolution of Gong 2000
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A rhythmic rock track that criticizes societal gossip, political hypocrisy, and empty promises through biting lyricism. 9. Alam Dan Penguasa
The origins of Gong 2000 date back to the late 1980s, when guitarist Ian Antono and his wife, Titiek Saelan, established Bengkel Musik Gong (Gong Music Workshop). The project was envisioned as a collaborative incubator where veteran icons and virtuosos across genres—including rock, jazz, and traditional music—could revitalize the domestic Indonesian rock scene.
What makes the so distinctive is its production quality—or rather, its purposeful lack of polish. While mainstream Malaysian albums in 2000 were recorded in expensive studios with pristine digital reverb, Gong chose to record at a run-down facility in Shah Alam, using a mix of analog tape and early digital equipment. The result is a "dry," claustrophobic sound. The guitars are not smooth; they are sharp and abrasive. The bass is rumbling, almost subsonic. The vocals are pushed forward in the mix, unnaturally intimate. | # | Song Title | Songwriter |
For those searching for "gong 2000 album laskar," you've come to the right place. This article will take a deep dive into everything that makes this album a classic, from the legendary musicians who created it to the cultural fusion that defines its sound.
Gong is a British-French psychedelic rock band that was formed in the late 1960s. The band has undergone several lineup changes over the years, but the core member and founder is Daevid Allen. In 2000, Gong released their album "Laskar", which marked a new era for the band. This report provides an overview of the album, its background, musical style, and reception.
Continuing the environmental themes of the previous track, "Polusi" features a fast tempo driven by Yaya Moektio's aggressive drumming to mirror the chaotic energy of urban decay. 11. Setan Jalanan Emerging as a grand side project of God
In the late 1990s, Gong's founder and visionary, Pierre Angry, revived the band with a new lineup featuring some original members, including Andy Radican on drums, and newcomers like David Stewart on bass and vocals. The band's musical style had evolved significantly since their early days, incorporating more diverse influences while maintaining their signature psychedelic and progressive rock sound.
While the entire album is a cohesive work of art, two songs stand out as timeless hits.
If "Bara Timur" hinted at a fusion of rock and ethnic music, "Laskar" dove headfirst into the concept. For this album, Gong 2000 collaborated extensively with traditional musicians from Bali, specifically the , led by I Gusti Kompiang Raka .