Tarzan 1999 Archive =link= Official
Animators studied gorillas and apes to make Tarzan’s movements believable on all fours, with a spring to his step. A key discovery was that Tarzan’s feet needed to be as dexterous as his hands, allowing him to grab vines in a way human actors couldn't.
The Tarzan 1999 archive is not a single link or a dusty vault. It is a hybrid of hard drives, sketchbooks, film canisters, and fan uploads. It tells the story of a studio at a crossroads—one foot in hand-drawn tradition, the other in CGI—producing a film that still, 27 years later, makes you want to swing from the vines.
The film generated several tie-in video games, most notably Disney's Tarzan for the PlayStation, Game Boy Color, and PC. The preservation of these games—including their polygon models, voice lines, and original source code—is actively managed by retro-gaming emulation communities. The Challenges of Digital Preservation
No Tarzan 1999 archive is complete without the music. Phil Collins’ Grammy-winning soundtrack was unique—he recorded the songs in English, French, German, Italian, and Spanish.
Released on June 18, 1999, Tarzan was the 37th animated feature in the Disney Animated Canon. Directed by Chris Buck and Kevin Lima, it is notable for its adaptation of Edgar Rice Burroughs' character and its significant technological achievements. In archival contexts, materials related to the film are categorized into three distinct pillars: Production Art (concept and development), Technical Assets (software and data), and Promotional Ephemera (press kits and merchandise). tarzan 1999 archive
: The directors drew inspiration from late-90s extreme sports like skateboarding and snowboarding to define Tarzan's movement, creating a unique "tree surfing" style where he uses his feet to grip vines and branches. Technical Breakthrough: Deep Canvas The most significant item in the technical archive for is the invention of Deep Canvas The Problem
: A collection of mini-games and creative activities for children. Tarzan Print Studio
Perhaps the most passionate portion of the Tarzan 1999 archive is the collection of websites and databases created and maintained by fans. While some of these are on large, general wiki platforms like , which hosts a detailed page on the Disney Tarzan franchise, others are more niche. For example, the specialized ERBzine.com , a fan site dedicated to Edgar Rice Burroughs, archived the first appearance of the Disney Tarzan trailer on the internet, showing the excitement among Burroughs' long-time fans for this new animated version. These fan-driven archives are crucial for preserving early promotional materials and the fandom's initial reactions to the film.
To help find specific items from the , please tell me: Animators studied gorillas and apes to make Tarzan’s
: A digital version of the 1999 software that includes levels of arcade action and a "jungle journal" for creating secret animal languages. Disney’s Tarzan Print Studio
The production archive contains several fascinating sequences that were cut to preserve the film's tone: The Original Opening
In June 1999, Walt Disney Feature Animation released Tarzan , marking the grand finale of the decade-long era known as the Disney Renaissance. Armed with a $130 million budget, groundbreaking digital software, and a chart-topping soundtrack by Phil Collins, the film was a massive commercial and critical success.
The most significant achievement found in the Tarzan archive is the development of . Unlike previous animated films that used static, painted backgrounds, the artists at Disney wanted to capture the dynamic, three-dimensional depth of the African jungle. It is a hybrid of hard drives, sketchbooks,
In the summer of 1999, as the world braced for the Y2K bug and the nu-metal soundtrack of The Matrix , Walt Disney Feature Animation released an outlier. Tarzan was the studio’s 37th animated feature, and in many ways, its last traditional masterpiece. Sandwiched between the mythological grandeur of Hercules (1997) and the digital revolution of Dinosaur (2000), Tarzan represented a high-water mark for hand-drawn artistry, Philadelphia-born rock music, and emotional storytelling.
When we talk about the , we are referring to a dispersed collection of materials produced during the film’s three-year production (1996–1999). Unlike a single folder or website, this archive exists in multiple forms:
If you are looking for specific materials, here is where they are typically housed:
In the final film, this song shows Tarzan discovering the human camp. In the archive, there is a fully storyboarded alternative where Tarzan instead finds a termite mound and tries to teach the gorillas how to use sticks. The animators felt this was "too much like a nature documentary."