Written in 1955—just a year before his death—the Trumpet Concerto, Op. 113, reflects a lifetime of orchestral expertise. The piece was dedicated to Sergey Eremin, a legendary Soviet trumpeter and professor at the Moscow Conservatory, who helped shape the Russian school of brass playing. The collaboration ensured that while the concerto is immensely challenging, it remains highly idiomatic for the instrument. Structural and Musical Breakdown
The third movement and the first-movement cadenza require highly developed multiple-tonguing (both double and triple tonguing) capabilities that must remain clean at rapid tempos.
: A bold and dramatic opening that establishes the work's serious tone. II. Molto sostenuto, quasi adagio
The Trumpet Concerto in C minor, Op. 113, composed by Sergei Vasilenko in 1955, stands as a cornerstone of the classical trumpet repertoire. For advanced students, professional performers, and musicologists alike, tracking down a score and solo part is a crucial step in studying this brilliant work.
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The concerto is typically presented in a way that allows the trumpet to showcase a broad range of tonal colors, from soaring high lines to dramatic lower-register passages. Structure and Technical Demands
: Provides scholarly analysis papers that often include musical excerpts if you cannot access the full score elsewhere. or help you draft an for your paper? Vasilenko Sergei - Trumpet Concerto | PDF - Scribd
Sergei Vasilenko’s Trumpet Concerto remains a monumental work that tests the absolute limits of a trumpet player's technique and musicality. Acquiring a complete and accurate copy of the full score—whether through public domain archives like IMSLP, academic networks, or commercial publishers—is the first step toward mastering this staple of the brass repertoire.
For official performances, competitions, and juries, using authorized, professionally edited editions is highly recommended to avoid printing errors or missing measures common in old scans.
