Amplitube 5 Avenged Sevenfold

Marshall JCM800 or Jet City custom heads, providing a crunchy, foundational rhythm bed that complements Gates' saturated lead tone. Building the Preset in AmpliTube 5

Fire up AmpliTube 5, dial in these settings, grab your favorite high-output humbucker-equipped guitar, and you'll be shredding your way through a heavy metal masterpiece. If you'd like, let me know:

Heavily utilized during the City of Evil era. These amps provide the crushing, slightly scooped low-end chunk heard on tracks like "Beast and the Harlot." amplitube 5 avenged sevenfold

: A key feature of A7X's sound is the interaction between compression and EQ. Reviewers note that AmpliTube 5 allows for deep tweaking, with many suggesting a slight mid-boost around 1–2kHz to achieve Gates' presence.

This expansion pack was developed with direct input from the band and their longtime live and studio engineer, . The goal was not just to offer generic metal amps, but to capture the specific signal chain used during the recording of their acclaimed album The Stage and subsequent tours. Marshall JCM800 or Jet City custom heads, providing

For years, replicating that specific sound required a basement full of expensive gear: Custom Schecter guitars, Marshall JCM 800s, Bogner Uberschalls, and a pedalboard full of delay and reverb. But today, that wall of sound is accessible to anyone with a computer. Enter by IK Multimedia.

[Guitar] -> [Overdrive / Gate] -> [High-Gain Amp Head] -> [VIR Cabinet / 4x12 V30s] -> [Delay / Reverb] 1. The Stomp Box Section (The Tone Shapers) These amps provide the crushing, slightly scooped low-end

If you want to fine-tune a specific era of their sound, let me know: Which tone are you trying to replicate?

Synyster Gates famously co-designed the Schecter Hellwin , while Zacky Vengeance frequently opts for Mesa Boogie Rectifiers and Bogner heads. Inside AmpliTube 5, select one of these two powerful routes:

Liquid, vocal, and sustaining. It cuts through the dense mix using a heavy dose of low-mids, smooth top-end compression, and pristine spatial delays.