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The story also intertwines gender with racial otherness. Jane’s shame is mirrored by Tarzan’s alienation: a white man who is simultaneously “civilized” and “savage.” Their mutual otherness creates a dialogic space in which each can interrogate the cultural scripts that have defined them. The coupling thus functions as a critique of the binary opposition between “civilized” women and “natural” men, exposing both as socially constructed.

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To understand Tarzan-X , you first have to understand (real name Aristide Massaccesi). D'Amato was a titan of Italian exploitation cinema, a director who effortlessly moved between horror, sci-fi, and adult films. Just a few years before this film, he had directed hardcore classics like Emanuelle in the Country and Beyond the Darkness (which one reviewer of Tarzan-X claimed they enjoyed immensely before checking out this film). He was a workaholic who directed nearly 200 films, and by the mid-90s, he had found a profitable groove in the adult market.