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The entertainment industry spent the latter half of 2023 reeling from and adapting to the dual WGA (Writers Guild of America) and SAG-AFTRA (Screen Actors Guild) strikes. By late December, the resolution of these strikes left a permanent mark on popular media.

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While December 21 may not have been a traditional "New Music Friday" with a flood of major global pop releases, the music industry was hardly silent. Canadian audiences, for instance, saw notable new albums from artists like Andrew Hyatt, Spencer Burton, and Hot Garbage, as the local industry continued to carve out its space amid the dominance of streaming giants. Music consumption on a Thursday like this was less about massive new drops and more about the continued cultural momentum of the year's biggest acts. The Teads' Contextually-Powered Media Barometer later highlighted that the entire year of 2023 in music was defined not by a single day but by world-dominating tours like and Beyoncé's Renaissance World Tour , which had not only broken box office records but had become all-encompassing cultural phenomena sparking conversations across fashion, technology, and gossip. The entertainment industry spent the latter half of

This backdrop of austerity and transformation shaped everything from the shows streaming on December 21 to the movies playing in theaters. The success of "Barbenheimer" had provided a desperately needed lifeline for theaters and proved that original, event-based cinema could still thrive. However, the underlying business model of the entire entertainment industry was in flux. The wild card—and the major point of contention during the strikes—was the rise of . As 2023 progressed, AI became a dominant narrative, with writers and actors rightly concerned about the potential for studios to use the technology to replace human creativity. The new contracts included some protections, but the long-term impact of AI remains the great unresolved question looming over the industry. While December 21 may not have been a

By December 21, 2023, AI was no longer a novelty. It was a tool. While studios agreed they couldn't replace writers with ChatGPT, they could use AI for "storyboarding," "concept art," and generating background "filler" content. We saw the first wave of micro-shorts produced entirely by AI on platforms like Runway ML. This democratization of creation meant that entertainment content and popular media were no longer the sole domain of billion-dollar conglomerates. A single teenager with a prompt could now generate a 30-second cinematic trailer, blurring the lines between professional and amateur.

Squid Game was just the beginning. By late 2023, Korean reality shows, dating shows ( Single’s Inferno ), and sci-fi ( The Silent Sea ) dominated Western queues. Similarly, Spanish-language telenovelas on Netflix and French crime dramas on Prime Video broke down language barriers. Dubbing technology (powered by AI voice synthesis) made dubbing faster and less expensive, allowing global hits to spread within days, not months.

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