Listen to the Run-D.M.C. vs. Jason Nevins - It's Like That (Raxon Edit) on SoundCloud.
Unlike many remixes that drastically alter the original composition, Nevins' version was a masterclass in enhancement. He retained the iconic vocals and the core of the track but built a powerful, driving house beat around them. The bass was made more upfront, and new layers of electronic energy were added, transforming the spare hip-hop track into an infectious, high-energy dance anthem without losing its original soul and message. Initially, the remix was only released in the US on 10-inch vinyl in 1997 in a very limited run, but it didn't take long for it to find its audience.
Here is the truth: The official Jason Nevins remix is the masterpiece. The "Raxon E" variant is the ghost—an error in the machine that gives the song a second life in the shadows of the internet. run dmc jason nevins its like that raxon e
There’s track with Run–D.M.C./Jason Nevins. Possible intended meanings:
But Raxon E persisted, explaining that he had already worked out a dope beat and wanted to get their input. D.M.C. and Run were intrigued, and eventually, they agreed to give it a listen. Listen to the Run-D
It's Like That (Raxon E Remix)
The dense arrangement is thinned out, focusing heavily on rhythmic drive, modular accents, and isolating the iconic "It's like that, and that's the way it is" vocal hooks. Unlike many remixes that drastically alter the original
The track's raw power came from its simplicity, featuring hard-hitting drum machine beats and the group's iconic, overlapping vocal style. Lyrically, it was direct and impactful, with lines like, "Unemployment at a record highs / People coming, people going, people born to die". It was a song that captured the frustrations of a generation and helped establish Run-DMC as a vital new force in music. Originally, it was released as the B-side to "Sucker M.C.'s" and wasn't a major commercial hit, but its influence on the burgeoning hip-hop scene was immense.
Overall, Raxon successfully bridges the gap between old-school braggadocio and modern club tools, proving the timelessness of the original 1983 Profile Records release.
Before diving into the Raxon edit, it is essential to understand the foundation. In 1997, American producer Jason Nevins took Run-DMC’s 1983 classic—their debut single—and injected it with a driving dance beat, Euro-house synths, and high-energy percussion.
Aggressive vocal delivery and rhythmic, street-conscious lyricism. 90s House / Big Beat