Released in Brazilian cinemas on April 20, 2023, the film was written and directed by Wagner de Assis, a filmmaker known for his work on spiritualist themes, including "Nosso Lar" (2010) and "Kardec" (2019). It's produced by Cinética Filmes and distributed by Sony Pictures, a major partnership that helped bring this complex story to a wide national audience.
Um homem fragilizado pelo desemprego que se transforma em um perseguidor abusivo.
The story centers on two married couples whose lives become dangerously intertwined. The primary focus is on Gabriela (Carol Castro) and Roberto (Danton Mello). Gabriela is a successful and dedicated lawyer, while her husband, Roberto, struggles with his career and possesses a deep-seated, pathological jealousy. The film opens as they face the fallout from a failed business deal, a situation that forces Gabriela to become the family's main provider. This shift in domestic power dynamics exacerbates Roberto's insecurities, which are displayed through his aggressive and controlling behavior. Filme Ninguem e De Ninguem
"Ninguém É de Ninguém" is more than a conventional melodrama; it uses the lens of Spiritism to explore profound human failings and the possibility of redemption.
The film's emotional weight rests heavily on the shoulders of its talented cast, who bring authenticity and depth to these complex characters. Released in Brazilian cinemas on April 20, 2023,
(Roberto): Dá vida ao marido possessivo, cujas inseguranças o levam a atos desesperados.
: Gabriela ( Carol Castro ) is a successful professional whose career is taking off. Her husband, Roberto ( Danton Mello ), has lost his job and spiraled into a state of extreme possessiveness and paranoia, viewing his wife as his property. The story centers on two married couples whose
A doctor and his wife, who struggles with insecurity and possessiveness.
The film explicitly critiques the "macho" culture of organized crime. Gang members claim they are fighting for territory, but Miranda shows they are fighting to own people. Women, children, and even low-level soldiers are treated as objects. The title serves as a plea against this mindset.
The film asks: Do you belong to your city? Your family? Your partner? Your enemy?