Stossgebet Fur Meinen Hammer — -hans Billian- Lov... !free!

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Billian's music often explores the human condition, delving into topics such as relationships, existential crises, and the search for meaning. In this light, "Stossgebet fur meinen Hammer" can be seen as a microcosm of his broader artistic endeavors.

In the end, the prayer is for the hammer, but the prayer is really about the man holding it—tired, hopeful, and looking for a small miracle in a cold, material world.

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Within historical film preservation, Stoßgebet für meinen Hammer serves as a textbook example of West Germany’s subcultural shift post-sexual revolution.

Billian is best known for the legendary Josefine Mutzenbacher trilogy later in the decade, but Stoßgebet für meinen Hammer is where he honed his chaotic, vaudevillian style. This wasn't hardcore pornography; it was bedroom farce with nudity—a German Carry On film, but with more saxophone on the soundtrack.

"Stossgebet fur meinen Hammer" is more than just a song – it's a tribute to the simple things in life that bring us joy, comfort, and a sense of purpose. Hans Billian's beautiful lyrics have captured the essence of the bond between a craftsman and his trusty hammer, reminding us that even the most mundane objects can hold sentimental value. This public link is valid for 7 days

(English title: Pray for My Cock ) is a 1976 West German adult short film directed by Hans Billian and produced by his company, Love Film . Production and Synopsis

(literally "A Quick Prayer for My Hammer") is a West German short adult film released in 1976 , directed and produced by the prolific filmmaker Hans Billian . Produced by Love Film , it is representative of the "Bavarian" or "Lederhosen" sex-comedy and adult genre that flourished in West Germany during the 1970s. Production Overview Director/Producer: Hans Billian . Runtime: Approximately 21 minutes.

Today, fans of "Eurocult" cinema seek out Hans Billian’s work for its kitsch value and its unapologetic commitment to fun. It is a time capsule of an era where "Love, German Style" meant a mixture of alpine fresh air, bawdy jokes, and a total lack of inhibition. Can’t copy the link right now

Stoßgebet für meinen Hammer is not his best film (that honor belongs to Josefine Mutzenbacher ), but it might be his most representative. The title alone tells you everything: He is mixing the sacred (prayer) with the profane (the hammer/phallus). He is winking at the audience before the opening credits even finish.

Shorts like Stoßgebet für meinen Hammer were initially screened in specialized adult theaters across West Germany. Later, they found a massive second life on Super 8 film reels and early VHS formats, distributed by major European adult labels. Production Value and Style

Billian continued directing adult films into the 1990s, often under pseudonyms such as . He died on 18 December 2007 in Gräfelfing, Bavaria, at the age of 89.