The album features a stellar lineup of virtuoso musicians who brought Wilson’s vision to life with precision and passion:
In a 24-bit/96kHz or standard 16-bit FLAC file, the spatial separation between instruments is pristine. You can pinpoint exactly where Adam Holzman’s Fender Rhodes sits in the stereo field relative to Theo Travis' flute.
The hi‑res FLAC versions of this album are available at (often referred to as “24/96”). To put these numbers in perspective: Steven Wilson 2013 The Raven That Refused To Sing -FLAC-
But the raven remained an unsolved thing. It always arrived at dusk and never sang. It watched his flinches, the tiny betrayals that grief exacts. Sometimes Peter thought the raven kept the measure of his days and returned the favor — it kept a slow, solemn tally of his survival.
Upon its release, The Raven That Refused to Sing received universal critical acclaim, earning perfect scores from progressive music outlets and mainstream publications alike. It won "Album of the Year" at the 2013 Progressive Music Awards and was widely hailed as a landmark release that bridged the gap between classic 1970s prog and modern sonic fidelity. The album features a stellar lineup of virtuoso
Some notable features of "The Raven That Refused to Sing" include:
18;write_to_target_document1a;_nmTtacHjL83c4-EPlqXR0QY_20;56; 0;55d;0;364; To put these numbers in perspective: But the
Here, Guthrie Govan delivers a guitar solo that is technically jazz but emotionally blues. Lossy codecs create "pre-echo" artifacts before the loud guitar hits. FLAC eliminates this. You hear the grit of the vacuum tube distortion, the natural clipping of the analogue console, and the precise decay of the piano chords in the background. Without lossless audio, you are listening to a ghost of a guitar solo.
: The Steven Wilson Store offers instrumental versions in 96kHz/24bit FLAC.
For many listeners, the "FLAC" experience of this album is essential because of its impeccable production. Engineered by the legendary Alan Parsons —famed for his work on Pink Floyd’s The Dark Side of the Moon